Sculpting a Legacy: 
Paul Jeyne's Perspective

From a very young age, Paul Jeynes had an innate desire to create. In 1977, at 50 years old, he received his first sculpture commission. By the early 80s, he was an established and influential sculptor in the art world. Here, in his own words, is a glimpse into Paul's particular passion for sculpting and his unique perspective on the art form.
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In 1973, at 46 years old, I finally had the courage to quit a successful business career and pursue my childhood dream of an artistic career. As someone red-green colorblind, I chose sculpting because I wouldn’t have to worry about selecting the right colors.
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Sculpture is a very difficult art form, but it’s also the most sensual. Its shape alone has to convey your message or express the feeling you want or tell the story you want told. Also, you’re working in the round and not on a flat surface. Every side, every angle, every part of it must be perfect. Sculpture is meant to be touched, caressed, patted, climbed over, sat on, enjoyed.
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Throughout the 1970s and '80s, my stylized sculptures were a major departure from the norm for Animal Art that replicated every aspect of an animal’s or bird’s appearance. But I always felt that if one wants detail, look at a photograph. My sculptures capture the animal’s or bird’s essence; its spirit — its elegance, grace, beauty, power, strength, majesty. To do that, I either minimize detail or eliminate it entirely. That’s what makes my style different. It’s very personal.
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I abhor violence; I will not show an animal or bird killing or about to kill. I eliminate the eyes because they’re a focal point and they will divert your attention from the emotions I want you to feel when you look at my sculptures.